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![]() If you want a good new horn, there`s the Miraphone which costs under $1000. Getzen incorrectly referred to these horns as a slide trumpet and slide cornet respectively. The Getzens came in two forms: one accepted a trumpet mouthpiece, the other accepted a cornet mouthpiece. I personally don`t recommend the Getzens because the bore-size is too small for my taste. If you want a good instrument, find an old Getzen. If you learn the instrument in nothing but transposing Bb, you`re going to have a devil of a time surviving music in C.Īs far as instruments go, the Jupiter is okay to noodle around on, but expect a sticky slide with poor response. You are NOT going to get Bb parts if you`re playing certain arrangements for trombone choir- hence the reason I advise players to learn to play the horn in both Bb and C. What killed the soprano trombone circa 1930 was the emergence of large-bore horns capable of producing the big sound.Īs I said, if you`re playing trumpet music, expect to play parts in either Bb or C- learn the slide positions both way. It must be remembered that the music of the Baptist church is one of the progenitors of New Orleans-style jazz, so that it is no coincidence that there are similarities between Moravian trombone choir music and New Orleans-style jazz. Because this is hymn music, again the practice is to play slow, drawn out, expressive passages. Parallel to this is Moravian trombone choir music which got its start circa 1922. Both Louis Armstrong and Freddie Keppard played the soprano trombone, Louis when he played with Fate Marable on riverboats circa 1918, and later with Joe "King" Oliver`s Creole Jazz Band at the Lincoln Gardens in the early 1920`s.Īrmstrong and Keppard would have used the soprano trombone to play big, slow, ballad-like passages, because this is what the instrument is suited for, and because the cornet and early fake trumpet (the modern trumpet is really a cornet designed to imitate the sound of a real trumpet) which emerged at this time were small-bore horns with small bells and a really tight backbore. Both traditions date from the 1910`s and 1920`s. The 20th century repertoire for the soprano trombone is slow New Orlean`s jazz and hymn music. You`ll save yourself endless grief by learning the right way. Yes, you use regular trombone positions, and I strongly suggest you don`t get lazy and not learn your alternate slide positions. The soprano trombone is the little thingie in Bb that looks just like the alto, tenor, bass and contrabass trombone.īecause the soprano trombone is pitched in Bb, as a trumpet or cornet player you`re going to be learning this horn one tone out of whack, because chances are your music will be for transposed Bb.Īs far as that goes, C parts pop up all the time, so I suggest you learn the soprano trombone in both C and Bb. It’s perfect for someone who just wants to dabble lightly. For example for the notes f and g, when playing with the help of a trombone position chart, the note f is always played on the sixth position.First off, the slide trumpet is a baroque instrument. Whether you look for a slide trumpet or soprano trombone, you won’t have to deal with complicated finger charts, you won’t need to invest in a lot of sheet music when you get started, and there aren’t nearly as many pieces to maintain. Of course, these are drafted to scale on the ETSP Chart shown previously. For reference, I list them here, to the nearest millimetre. Like this, the positions that have to be played will arise automatically. The Everett chart does not show the actual lengths of the respective extensions. You only have to make sure that the two tones can be played without detours, so without a countermovement. The patterns change with the musical scales (for example minor scales) but then are the same for all the minor scales. The combination in major musical scales, when upwards, is always: whole tone, semitone, whole tone, semitone and downwards: semitone, whole tone, semitone, whole tone. Often it is easier to keep a combination of numbers in mind if you refer it to a certain symbolism (ATM machine/Smartphone etc.) The idea behind playing according to a trombone position chart is that musical scales which run upward, always make a movement upward and vice versa. For example for musical scales, the trombone position chart is helpful in transferring mechanical motion sequences into another tonality. ![]() For the course of the melody, it is often favorable to keep an eye on the tone after next, in order to get an optimal movement pattern. Depending on this, the motion is either favorable or not. ![]() Musical scales that start on the first position, always have a motion to the front, no matter if they go up or down. Motion sequences – musical scales from the first position Trombone History: 17th Century (1626-1650) Trombone History: 17th Century (second half) Trombone History: 18th Century Trombone History: 19th Century (1801-1825) Trombone History: 19th Century (1826-1850) Trombone History: 19th Century (second half) Trombone History: 20th Century Trombone History Bibliography Blog Early Literature.
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